Diagonal: An Ibero-American Music Review is the online journal of the Center for Iberian and Latin American Music at the University of California, Riverside. Its purpose is to highlight the latest research into the vast musical heritage of Iberia and Latin America, as well as other regions once under Iberian colonial rule whose cultural traditions bear some imprint of Spanish or Portuguese influence, e.g., the Philippines or parts of the United States. The name refers to the fact that the journal's mission cuts across disciplinary and regional boundaries. It accepts contributions in Spanish, Portuguese, or English from scholars in musicology, ethnomusicology, and related disciplines. Diagonal: An Ibero-American Music Review is a peer-reviewed journal with an editorial board, and it conforms to the highest standards of modern humanistic scholarship.
Current Issue, Volume 9, Issue 1, 2024
ARTICLES
'Manuel 60' para violín solo de Ramiro Luis Guerra (1933-2003): un enfoque analítico
Barrón Corvera, Jorge; Valdez Villar, Alberto Jordán
'Manuel 60' para violín solo de Ramiro Guerra: edición crítica y aspectos técnico-interpretativos
Barrón Corvera, Jorge; Valdez Villar, Alberto Jordán
‘Hoy al Portal ha venido’: Nativity scenes and the Galant style in the Christmas villancicos from the Cathedral of Santiago, Chile (c.1770-1820)
Feller-Simmons, Paul G.
El oratorio musical en España: Razones para su tardía implantación
Ferrer Ballester, María-Teresa; Sanz Hermida, Rosa
ESSAYS
Sound Architectures: The Relationship between Music and Architecture
Benavides, Ana
REVIEWS
Pablo Alejandro Suárez Marrero (Ed.). Escenas Diversas: Drama, Humor y Música. Vernon Press, 2023.
Díaz-Santana Garza, Luis
Mónica Cárdenas, piano and composer, and Johann Aparicio, cello. Chaos. CD, 2023.
Clark, Walter Aaron