Diagonal: An Ibero-American Music Review is the online journal of the Center for Iberian and Latin American Music at the University of California, Riverside. Its purpose is to highlight the latest research into the vast musical heritage of Iberia and Latin America, as well as other regions once under Iberian colonial rule whose cultural traditions bear some imprint of Spanish or Portuguese influence, e.g., the Philippines or parts of the United States. The name refers to the fact that the journal's mission cuts across disciplinary and regional boundaries. It accepts contributions in Spanish, Portuguese, or English from scholars in musicology, ethnomusicology, and related disciplines. Diagonal: An Ibero-American Music Review is a peer-reviewed journal with an editorial board, and it conforms to the highest standards of modern humanistic scholarship.
Current Issue, Volume 9, Issue 2, 2024
ARTICLES
‘Con cristiana modestia y silencio’: música y cofradías en la capilla de Cantuña
Estévez Monagas, Jesús
Memory, Nostalgia, and Resistance: The Afro-Latin Art Song
Caicedo, Patricia
Música tradicional andina: (des)vínculación entre melodía y estilo
Ferrier, Claude
“Ecco il loco destinato”: Cenobio Paniagua, the New Composer and Original Opera as an Expression of National Pride in 1863 Mexico
La Spina, Riccardo
REVIEWS
Cesar D. Favila. Immaculate Sounds. The Musical Lives of Nuns in New Spain. New York: Oxford University Press, 2023
Morales, Luisa