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Rome, Ostiense, Street art near entrance to night club Rising Love on Via delle Conce.  Right of the door: Bouncer by MTO; left: Portrait of a Student by Sten & Lex, stenciled, after a photograph in a vintage university yearbook.  Photo by Jack M. Greenstein.

Volume 6, Issue 1, 2016

The Fixity and Flexibility of Images: Italian Art over Time

Jack Greenstein and William Tronzo, Editors

Leslie Elwell and Cindy Stanphill, Managing Editors

Introduction to Volume 6, 2015/16, Issue 1: Italy and Images

Volume 6.1 Introduction: What We Thought We Were Doing
Greenstein, Jack; Tronzo, William

Roman Antiquity and Antiquarianism

Culiseo: the Roman Colosseum in Early Modern Jest
Yawn, Lila Elizabeth

A Tortured Image: The Biography of Lucullus' Dying Hercules
Kuttner, Ann

Of Plaster Casts and Monks: Images of Cultural Heritage in Risorgimento Italy
Napoli, J. Nicholas

The Nymph in the Doorway: Revisiting a Central Motif of Aby Warburg’s Study of Culture
Burroughs, Charles

Fascismo e classicità: il recupero iconografico delle opere d'arte non romane a fini propagandistici nell'Italia mussoliniana.
Giorio, Maria Beatrice

The Life and Afterlife of Medieval Art

Multisensory Memories and Monastic Identity at Sant’Elia near Nepi (VT)
Perchuk, Alison Locke

The Image of a Building: Santa Maria in Trastevere
Kinney, Dale

The Lives and Afterlives of Shrine Madonnas
Gertsman, Elina

A Guglielmite Trinity?
Caciola, Nancy Mandeville

The Cult of Dante

Textual Physiognomy: A New Theory and Brief History of Dantean Portraiture
Reid, Joshua

Fragments of Freedom: Dante's Relic in the Re-United States
Raffa, Guy P.

Images and Identities

Body Politics and Mythic Figures: Andrea Doria in the Mediterranean World
Gorse, George Lawrence

Solving the Mystery of the Sitter in Bartolomeo Veneto’s Portrait of a Lady in a Green Dress
Sizonenko, Tatiana

Michelangelo's Medici Chapel and its Aftermath: Scattered Bodies and Florentine Identities under the Duchy
Lazzaro, Claudia

F.T. Marinetti's Vocalizations
Mather, David

Artistic Tradition and Feminine Legacy in Elena Ferrante’s L’amore molesto
Milkova, Stiliana

That Hateful Tail: The Sirena as Figure for Disability in Italian Literature and Beyond
Noson, Kate

Regarding the Pain of Others: Migrant Self-Narration, Participatory Filmmaking, and Academic Collaborations
Clo, Clarissa; Ferme, Valerio; O'Healy, Aine; Verdicchio, Pasquale

Fixity and Flexibility of Photographs

Paesaggi informali. Immagini per un album generazionale (1945–1979)
Doti, Gerardo

Guardare Venezia: la città come dispositivo visuale
Parmeggiani, Paolo

Exemplification

On Irons, Bones, and Stones, or an Experiment in California-Italian Thinking on the ‘Plastic’ between Aby Warburg’s Plastic Art, Gelett Burgess’ Goops, and Piet Mondrian’s Plasticism
Bovino, Emily Verla

Repetition, Variation, and the Idea of Art in Renaissance Italy
Williams, Robert

Suono e Spettacolo. Athanasius Kircher, un percorso nelle Immagini sonore.
Briatore, Samuele

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California Italian Studies Journal

e-ISSN: 2155-7926

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Beginning with issue 5:1, all articles in this journal are covered by a Creative Commons Attribution-NonCommercial 4.0 License.

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